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    <loc>https://www.onthewaytopaper.com/work</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-12-16</lastmod>
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      <image:title>About - pulp #50: new urbanism</image:title>
      <image:caption>charles kane interviews elizabeth plater-zyberk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375443384-9JPHSKLANW9AOWHUHMQD/image-asset.png</image:loc>
      <image:title>About - pulp #35: uncomfortable architecture</image:title>
      <image:caption>essay by elisa iturbe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537504596848-O5TTMSICCB2931CXYA7N/58+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #58: uncube</image:title>
      <image:caption>interview with fiona shipwright and sophie lovell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383181426-I31BBVLBU804E7V0A8JK/image-asset.png</image:loc>
      <image:title>About - pulp #23: singapore</image:title>
      <image:caption>john kleinschmidt interviews john wan + lane rick rebuts nothwehr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537305840493-OUWXRWB2J190LEF6XBFD/unnamed.jpg</image:loc>
      <image:title>About - pulp #56: two views on venice</image:title>
      <image:caption>dima srouji and jessica angel review</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375471250-OX3QE70T2LRJYQZKWH1F/image-asset.png</image:loc>
      <image:title>About - pulp #34: 2017 in review</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375513132-S325JYMD29DS29XIFL71/image-asset.png</image:loc>
      <image:title>About - pulp #30: disney</image:title>
      <image:caption>interview with stephanie jazmines</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383292975-4MGVGUX8G5ZYQZU68JKK/image-asset.png</image:loc>
      <image:title>About - pulp #17: san francisco roundtable</image:title>
      <image:caption>+ interview with eric rogers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375388651-LG49FSM9DERQ15W57WLZ/image-asset.png</image:loc>
      <image:title>About - pulp #40: raw architecture</image:title>
      <image:caption>interview with adam wagoner + anyspace review by olen milholland</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383865007-8N9LMERCK31KI6IGI5AV/image-asset.png</image:loc>
      <image:title>About - pulp</image:title>
      <image:caption>interview with L20X</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537326024255-A6LKRBVL42MJFTHC4AN7/51+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #51: vienna</image:title>
      <image:caption>interview with andreas rumpfhuber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537329644232-3NHO0IVVSFKZAFHE3FMC/45+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #45: biophilia</image:title>
      <image:caption>interview with vivian loftness</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383499490-QQUSM93R40OOCP2U3BEP/12+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #12</image:title>
      <image:caption>interview with justin oh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383144570-L6T8ULH6G0K8N93V3X2R/image-asset.png</image:loc>
      <image:title>About - pulp #25: together! the new architecture of the collective</image:title>
      <image:caption>interview with ilka ruby + comic by charles kane, + rebuttal by joanna grant</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375490734-8OYWUB8EYKKV1ZNYZMJG/image-asset.png</image:loc>
      <image:title>About - pulp #32: australia</image:title>
      <image:caption>interview with alicia poazniak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537325369080-7FQXN7KRWE900VEYCEWF/53+for+Squarespace+5-3.png</image:loc>
      <image:title>About - pulp #53: tempietto exemplum</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537325754818-O03LZZ28MXT286OKTZ56/52+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #52: reconstruction</image:title>
      <image:caption>interview with alex stumm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537327887929-BJOICF590USTGYGP2SM9/47+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #47: Tree of babel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383792223-ONYBFLWUIK38COSA3013/image-asset.png</image:loc>
      <image:title>About - pulp #10: picklebric</image:title>
      <image:caption>interview with steven winter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375409884-HLK90WRXRQWMKSUSW705/38+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #38: maximalism.</image:title>
      <image:caption>Lane Rick interviews Brock Forslbom</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383162025-8GQNJ9XLAYNCE6M0AA82/image-asset.png</image:loc>
      <image:title>About - pulp #24: andrew kovacs</image:title>
      <image:caption>+ comic by john kleinschmidt + rebuttal by peral ho</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383226549-2OPMJD8IK6PUJRPD5P89/image-asset.png</image:loc>
      <image:title>About - pulp #21: new york roundtable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537328194522-MKTACIC4RSQ2WLRG875E/48+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #48: book book</image:title>
      <image:caption>interview with jan blessing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537325341828-ERMVJ01JX0AW8IZR0ELX/54+for+squarespace+5-3.png</image:loc>
      <image:title>About - pulp #54: listed</image:title>
      <image:caption>a review of the venice biennale</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383834644-6EI5F70W95SRJUDECYQR/image-asset.png</image:loc>
      <image:title>About - pulp #6</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383098520-0EYWVIOOECASIPDTGTHZ/image-asset.png</image:loc>
      <image:title>About - pulp #27: dima srouji</image:title>
      <image:caption>+ comic by isaac southard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537331317794-5PF6S9GUXZVY34Z3RXXJ/42+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #42: all footnotes, no text</image:title>
      <image:caption>dante furioso reviews edward eigen’s book laucnh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537330766983-BBE3M0IZHKJ2EXVYSEMM/43+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #43</image:title>
      <image:caption>interview with martin pedersen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383986549-IFHQPZPNU15AZ8DEP533/14+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #14</image:title>
      <image:caption>interview with boris morin-defoy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375534063-P9K3TNFK6V010LAR7JWC/37+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #37: wood.</image:title>
      <image:caption>interview with markus lager</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383243213-ERN53ZS1MHLIOP76QOR9/image-asset.png</image:loc>
      <image:title>About - pulp #20: robert stern</image:title>
      <image:caption>+ “the green dot maps” by john kleinschmidt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539965119383-E898BPYSTIR5C7YM9H3A/59+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #59: scenarios</image:title>
      <image:caption>interview with michael young</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383199083-E25TOSFSZK2RAXMEDD09/image-asset.png</image:loc>
      <image:title>About - pulp #22: the greater london council</image:title>
      <image:caption>interview with matt o’connor + kristin nothwehr on the biennial + inaugural cartoon by jack lipson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375522892-JPD8B4YIB1MD2UEV5IAI/image-asset.png</image:loc>
      <image:title>About - pulp #29:chicago</image:title>
      <image:caption>interview with joseph altshuler</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383277536-XD7SNDDO3WOE7A1601OS/image-asset.png</image:loc>
      <image:title>About - pulp #18</image:title>
      <image:caption>interview with dorian booth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383132808-T3AODVFBMCG297F22G5S/image-asset.png</image:loc>
      <image:title>About - pulp #26: google</image:title>
      <image:caption>lane rick interviews ryan trinidade + jessica angel + kristin nothwehr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537472561953-VNO3O5MPVCQH7AKLC054/image-asset.png</image:loc>
      <image:title>About - pulp #5</image:title>
      <image:caption>interview with andrew sternad and john kleinschmidt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375501295-VH0P5S31ARLRZ6D6TYDY/image-asset.png</image:loc>
      <image:title>About - pulp #31: research</image:title>
      <image:caption>interview with katherine stege</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537330026842-K17Z4H4ZNWYZL8B9VCA1/44+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #44: body &amp; home</image:title>
      <image:caption>reviews by chelsea ross and william sheridan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537305574322-ZXATSECVESO4A8193N35/20180627_203526.jpg</image:loc>
      <image:title>About - pulp #57: raumlabor</image:title>
      <image:caption>markus bader and the floating university</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383768807-EGF1NLUPGFTLBHWWXCRT/11+for+ss+b+5-3.png</image:loc>
      <image:title>About - pulp #11</image:title>
      <image:caption>interview with andrew dadds</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383801834-TNCNUGVT51F4QPXL3QXM/9+for+ss+b+5-3.png</image:loc>
      <image:title>About - pulp #9: schumacher &amp; de graaf</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383322447-JRV18WI9TUJ44D6LSB38/image-asset.png</image:loc>
      <image:title>About - pulp #15</image:title>
      <image:caption>interview with kyle goldbach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383311401-BJAUD07S9IDSEA5551KA/image-asset.png</image:loc>
      <image:title>About - pulp #16: los angeles roundtable</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537327427620-9480BZYBB2F2OSO4ZH4S/49+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #49: hans tursack</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375554686-FJB7AN9D8UVZ570CGTAD/33+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #33: of pens &amp; pundits</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383116143-IZAF1NZ6GQ4A7HALZ91Z/image-asset.png</image:loc>
      <image:title>About - pulp #28: the monopoly house</image:title>
      <image:caption>+ comic by james coleman + lane rick on the collage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537331700432-8T5TN6NVMI6X4FHCS083/41+for+ss+5-3.png</image:loc>
      <image:title>About - pulp#41: the house is not a machine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537329742145-2DFLMAJDHJ8DPZUS0X1J/46+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #46: dave reeves</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375431835-P0H3YLJXHKSZAN8UOPPT/image-asset.png</image:loc>
      <image:title>About - pulp #36: wework</image:title>
      <image:caption>interview with maxwell mensching</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537375400779-7GS557I1XENH7E4PYTKO/image-asset.png</image:loc>
      <image:title>About - pulp #39: stiltsville</image:title>
      <image:caption>charles kane interviews paul-george, + anyspace review by will sheridan</image:caption>
    </image:image>
    <image:image>
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      <image:title>About - pulp #19: peter eisenman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383469107-HWIL9PS4RFMQT21G23JA/image-asset.png</image:loc>
      <image:title>About - pulp #13</image:title>
      <image:caption>interview with elisa iturbe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537383824081-TV6GL89PAUGFBYSDD9PW/image-asset.png</image:loc>
      <image:title>About - pulp #7</image:title>
      <image:caption>interview with jessica angel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537472568934-6NMLOT5RZWECGUSW5A53/3+for+ss+5-3.png</image:loc>
      <image:title>About - pulp #3</image:title>
      <image:caption>interview with lane rick</image:caption>
    </image:image>
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  <url>
    <loc>https://www.onthewaytopaper.com/pulp-47</loc>
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    <lastmod>2018-04-10</lastmod>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-30</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537387015612-BCVJVYAK869F6FRA5EXR/image-asset.png</image:loc>
      <image:title>pulp #30: disney</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537386600090-RSE1YT3397EWALPOXH8K/Screenshot+2018-09-19+15.49.51.png</image:loc>
      <image:title>pulp #30: disney</image:title>
      <image:caption>Drawings done while at RAMSA: Chongqing City Center, Observation Tower</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537386686221-AEUZ6PBSNZI88A53KPWF/image-asset.jpeg</image:loc>
      <image:title>pulp #30: disney</image:title>
      <image:caption>Pencil Power. Drawing of Central Plaza Market in Vasteras, Sweden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537386763042-M0A03NPFXYFLNWZ70IKH/YALE_Krier+New+Haven.JPG</image:loc>
      <image:title>pulp #30: disney</image:title>
      <image:caption>Fantasy, or urban planning? Elevation for a New Haven Capitol for Leon Krier's studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537386551864-3PP3EC3SIDX2EHF3IHBE/image-asset.png</image:loc>
      <image:title>pulp #30: disney</image:title>
      <image:caption>All about craft. The Kokoon: an affordable house project done while at Aalto University School of Arts Design and Architecture's Wood Program in Finland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537386720421-5P21K7WQWPMXE0XYZXC9/image-asset.jpeg</image:loc>
      <image:title>pulp #30: disney</image:title>
      <image:caption>True to the story: Disney Ratatouille, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537386059854-UIM6JKBNLTSBEQ4DPJ53/by+Leo+Rubinkowksi+at+Chicago+Biennial.jpg</image:loc>
      <image:title>pulp #30: disney</image:title>
      <image:caption>Contextually minded: Stephanie at the Chicago Biennial. Photo by Leo Rubinkowski</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537386426270-498CDY935X8KSYP4IS7N/image-asset.png</image:loc>
      <image:title>pulp #30: disney</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-35</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537388198028-ZZOGX6S232LFKXD33UP3/image1+%283%29.jpeg</image:loc>
      <image:title>pulp #35: uncomfortable architecture</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537453670009-GRZG2T7AJDJOCTMMSSP7/image1.jpeg</image:loc>
      <image:title>pulp #57: Markus Bader</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-57</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537455404001-W6DE7G3LCRUPHD9A76CG/IMG_0013.jpg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>A PROTECTED SPACE FOR THE TEMPORARY: 2015 -, Berlin: Haus der Statistik - Working with a coalition of Berlin initiatives, Raumlabor has postponed the planned demolition of the 'House of Statistics' - a huge DDR bureaucracy building on Alexanderplatz in the middle of Berlin. Over the coming years Raumlabor and their partners plan to renovate and add to the 60s-era office block, turning it into a co-working, co-living center for Berlin creatives, a place for education, and a home for refugees. Just as political as their other work, it might be one of the first Raumlabor projects with no expiration date - that aspires to permanence. RAUMLABOR HAUS DER STATISTIK LINK. Drawing by James Coleman.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454866487-XF975K05PVNC580VPDNS/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>As drawn (Credit: Studio Bow Wow)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454909796-1MTGRN6RT1KTP8BWBGVC/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>As Rebuilt, Again: As a pavilion at the Floating University. Photo by Nicolas Kemper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454894535-TNSK4DOM5SEO56ULSKV2/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>As Rebuilt: A play place at a kindergarten for refugees. Photo by Dennis Broer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454335994-PO9V83G0TBP0YDLNR3HB/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>This summer in Berlin, a runoff-water basin near Tempelhofer Feld plays host to the Floating University. Funded by the Federal Foundation for Culture and supported by dozens of partnerships, the University unfolds as a series of scaffold pavilions tied together by gangways sitting just above the water. Among these pavilions are open lecture rooms and work spaces, as well as a bar, a kitchen, a grill, a water wheel, and of course a pool. One of the pavilions is a rebuilt project from Studio Bow-Wow, first manifested in Berlin as a collective living project, then as a kindergarten for refugees, now as a presentation and work space. An elaborate array of funnels - a roof of cow-nipples - dramatizes rain water collection at the top of the central pavilion. The other inflated roofs light up at night, turning the ensemble into a glowing pumpkin patch. The project was organized and designed by Raumlabor, a practice whose projects often resemble events more than buildings. The Floating University resembles an institution - Raumlabor has orchestrated a constant series of events - lectures, concerts, workshops, parties, or large family style dinners - to gather Berliners, be they creatives or simply neighbors, throughout the summer. Before I left Berlin, I sat down with one of Raumlabor's partners, Markus Bader, to discuss the Floating University and the history and future of Raumlabor. We talked about four different Raumlabor projects, which New York architect James Coleman then drew for us. Find the drawings and the conversation, below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537455366571-Z4GLFG8VZEB3F8NTBJ7W/IMG_0014.jpg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>POLITICALLY POTENT: 2005, Berlin: Der Berg - As Berlin rushed to demolish the DDR's steel and bronze mirrored windowed former parliament / cinema / concert house / bowling venue - the Palace of the Republic - and replace it with a reconstruction of the royal palace it had replaced, the 'Schloss,' Raumlabor used scaffold and cloth to turn the Palace of the Republic into a mountain, complete with a hostel at the base. The swirl of activity reignited a debate as to whether it should be preserved, but too late: in 2006 the city commenced demolition. Today, in 2018, the reconstructed royal palace - the Schloss - nears completion. RAUMLABOR DER BERG LINK. + HOSTEL. Drawing by James Coleman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454483224-01NEYURP2VIH0Q3ZDZAM/20180510_210004.jpg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>At night, the Floating University resembles a glowing pumpkin patch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454777976-0FM7A60CTXGMKJAJF6NP/Fireplan.jpg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537455224376-KGJF0LUV9AXMMJOMR4SR/IMG_0012.jpg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>RIGHT NOW: 2018, Berlin: Floating University - A series of scaffold pavilions in a Berlin water reservoir adjacent to Tempelhofer Feld, hosting dinners, talks, seminars, workshops and performances until its planned dismantling, this September. RAUMLABOR FLOATING UNIVERSITY LINK. Drawing by James Coleman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454395268-MNQUPGVW8D96LHFNWO5X/image1.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454636758-0F2MFC4OHSOWGOJ4LLQH/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>Office of Things recently completed 'Screen Play,' two Meditation Chambers for a Bay Area office. Screen Play provides a video interface that is stripped of its frame. Instead of stopping at the edges, the video and colored glass pass from one space in the office to another. The technology becomes one with the architecture, it reflects, moves, and disappears altogether as the occupant passes the building. The Meditation Chambers are studies on intimate immensity. They are tucked into small rooms, but their architecture, lighting, and sound push the physical bounds of the room, as well as the occupants sense of place. The rooms are different - one structured in its immensity (above), the other ephemeral. Links: Meditation Chamber Horizon / Screen Play / Video 1 / Video 2 Project Team: John Taylor Bachman, Can Vu Bui, Vincent Calabro, Lane Rick, Katie Stranix and Patrick Proctor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537455133586-7V54XG9BH010UIOS25ZN/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>Markus Bader, out for a walk. The water around the Floating University is very shallow - after some rain, maybe six inches. Whenever it is time to have a conversation, you can simply pull on a pair of fishing boots, and start doing laps around the reservoir.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537455298092-62ACKHPD1GR6OLC2F21E/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>IN THE BEGINNING: 1999, Berlin: Moritzplatz - The 'mystic event' where a group of friends first worked together and called themselves "Raumlabor" was a competition entry for what to do with Moritzplatz, a major traffic circle in Kreuzberg. Raumlabor made three propositions: Merge the roads and empty lots and then 1) Cover the area with playing fields, 2) Plant a forest, or 3) Build a mountain. Each design embraced "plurality of authorship" - saw itself as a framework for civic play &amp; engagement, rather than a finished product. For instance, for the forest, Raumlabor anticipated that, "people will begin to adapt old house typologies to this new place: the Berlin treehouse will emerge." RAUMLABOR MORITZPLATZ LINK. Drawing by James Coleman.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537454877016-GGD8LJ3MJJ2F44HFM6XM/image-asset.jpeg</image:loc>
      <image:title>pulp #57: Raumlabor</image:title>
      <image:caption>As Built: A model for collective living, for a 2015 exhibit at Haus der Kultur der Welt (DOMUS REVIEW) Photo by Jens Liebchen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-58</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537477493609-GEUN4GDPGI0OZPPUJNA5/Rudolph+in+Singapore.jpeg</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>JOHN WAN will wrap a 4-story electrical substation in Singapore with corduroy, only instead of hand chiseled with hammers, done with a rubber mold.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537500935099-9WICWYCLO4Y2WJJNUOZZ/Screenshot+2018-09-20+23.34.54.png</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>“So join us one last time as we take you ‘beyond’” - the closing editorial to the last issue of uncube, 43, Athens</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537532100584-UUVIYBRX9GJGGWEO8Z3W/Screenshot+2018-09-21+08.13.06.png</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>Based in a city with an out-of-the-box - approach to architecture - an article from Uncube #13, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537475892815-UBPT3VX7IKZRJPQEJ41Z/image-asset.jpeg</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>“Sometimes we felt we should not do something, which is exactly why we should do it.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537530953209-PSKJM5NMAE7AJFT3ZCE6/Bridge+comic+58+Ng.jpg</image:loc>
      <image:title>pulp #58: uncube</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537499660432-JVAJXG1S27CC897EDK9T/image-asset.png</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>Anything but your typical interface - a screenshot from issue 19: Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537479787847-7Z5MKALYXLSEX5BMAPTP/image-asset.png</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>Sophie Lovell (bottom left) and Fiona Shipwright (to her right) in a Berlin photo-booth. Links: Sophie: website / uncube / &amp;beyond * Fiona: website / uncube / &amp;beyond</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537500398677-BNEYFVNSPGWQF80JYTBU/Screen+Shot+2014-08-28+at+11.42.41.jpg</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>An ‘In the Photo Booth’ interview from issue 25, Soft Machines</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537499069611-6C01WBI67T88VBGJ30V7/issue36_2.jpg</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>Picky with words, powerful with graphics: a three page article by Sam Jacob from issue No. 36: Uncanny Valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537477770326-I8BU054PQDFALAYJLNRF/Kane+Fenaux+Anderson+1.jpg</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>LUKE ANDERSON, HUGO FENAUX, &amp; CHARLES KANE wrapped - in an over-the-weekend competition - a castle in a red grid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1537500564188-ZQG0I190QOTBE5O65HVH/7_dead_Silent.jpg</image:loc>
      <image:title>pulp #58: uncube</image:title>
      <image:caption>Shit you need to know about: a spread from issue 21, Acoustics, on Anechoic chambers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-52</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1538538480449-QCF5V5QIODGY9DYVEVQM/05.jpg</image:loc>
      <image:title>pulp #52: reconstruction</image:title>
      <image:caption>SIMULATED RECONSTRUCTION: Reconstructing something exactly as it was. Such as the Barcelona Pavilion, or the old Bridge of Mostar, above, rebuilt by UNESCO, from 1995–2004.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1538538723202-V3X7VLRMP9J22L7ISVGZ/02.jpg</image:loc>
      <image:title>pulp #52: reconstruction</image:title>
      <image:caption>INTERPRETED RECONSTRUCTION: A dialect in contrast and continuity. Alois Riegl, in his 1903 essay, “The Contemporary Memorial Cult”, argued that buildings have a duty not just to their history, but also to the contemporary: above all, art and function. In short, keep the ruin, make it functional, and add something new – like Carlo Scarpa did, with his reconstruction of the Castelvecchio in Verona (1958–64).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1538519185953-HLMURQPTPL07V3Z7J1DT/01.jpg</image:loc>
      <image:title>pulp #52: reconstruction</image:title>
      <image:caption>HISTORICIST RECONSTRUCTION: Destroy much of the building to rebuild how it „should“ be. Articulated by Violet-le-Duc, in his Dictionnaire raisonné (1854–68), as well as in his work, such as the Sainte-Madeleine in Vézelay (1840–1858), above.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1538538617440-JC36UVK56P58UI5ZEDQ6/image-asset.jpeg</image:loc>
      <image:title>pulp #52: reconstruction</image:title>
      <image:caption>CONCEPTUAL RECONSTRUCTION: Translate to something that is in the end effect completely new. Such as Josef Paul Kleines‘ reconstruction (1996–1998) of the Haus Lieberman, on Pariser Platz in Berlin, above: the same building, but completely different.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1538519424047-858JNLWSC33Y1ZSY6678/03.jpg</image:loc>
      <image:title>pulp #52: reconstruction</image:title>
      <image:caption>ARCHAEOLOGICAL RECONSTRUCTION: UNESCO’s definition, in the Athens Charter of 1964: monuments should be “living witnesses… spirited representatives to the present of the past.“ Above: the Frauenkirche, destroyed in the firebombing of Dresden, was rebuilt by Eberhard Burger (1996–2004), leaving the ruin visible and using, when they could find them, the still scorched stones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1538519006279-6WTYAKZR05NZX3QLJJFU/Screenshot+2018-10-02+18.23.04.png</image:loc>
      <image:title>pulp #52: reconstruction</image:title>
      <image:caption>Anne Ma draws Alexander Stumm’s 5 categories of Reconstruction. Black represents the old part of the building, red the reconstruction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1538518767327-2WDU0XUUJHD43SO881IN/180625_pulp52_01_Page_1.png</image:loc>
      <image:title>pulp #52: reconstruction</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-27</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539204632927-4NCE1QECX0TZZG73RP6B/Crown+Village.jpg</image:loc>
      <image:title>pulp #27: dima srouji</image:title>
      <image:caption>Politically charged historical preservation: Beit Iksa, once a Palestinian Qura Karasi, or Throne Village, and now “an open-air jail cell.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539205141478-AYU33HWT36IOYGPRME0R/image-asset.jpeg</image:loc>
      <image:title>pulp #27: dima srouji</image:title>
      <image:caption>You know Ross, I think I preferred the ant farm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539204668368-6MOVMIQ0637ZSYJEJFVS/image-asset.jpeg</image:loc>
      <image:title>pulp #27: dima srouji</image:title>
      <image:caption>A glassblower in Jib.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539205792124-D0ZFT0CSV4Y6W8Q5PJGE/image4.jpeg</image:loc>
      <image:title>pulp #27: dima srouji</image:title>
      <image:caption>Hollow Forms - bringing contemporary architecture to traditional glassblowing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539204865436-PC0QI7RLAU9B04IUSPXF/image-asset.jpeg</image:loc>
      <image:title>pulp #27: dima srouji</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-51</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539288315158-NU243C68OVUMV5KRKHG4/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
      <image:caption>Rumpfhuber, in his office.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290079068-GJ2S8KTZCOEIE08HAR9X/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539288484029-ZSR88VS72II2VWRLPCL5/Vienna+Housing+Cropped.png</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
      <image:caption>Social housing in every neighborhood: the black indicates social housing projects, or 'Gemeindebau,' scattered across Vienna. The gray shows the historical 'Gründerzeit' city core. Credit: A spread from Rumpfhuber's book, "Modelling Vienna, Real Fictions in Social Housing."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290119381-JCCOFEM5KA53EAL9XZIG/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290095124-T3K3GPO1FXOXNPSY0GLL/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539288377017-MA6SP7ONEP7390JHNP9F/Screenshot+2018-05-09+11.57.45.png</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
      <image:caption>Architects chasing the wild settlers: an exercise in economy, Adolf Loos's 1921 "House with one Wall" foregrounds the garden, the basis for self sufficiency from which, Loos wrote, "every settlement proceeds."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290132049-7QPQKWAXFMPEZUKFFA0W/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290104475-Z36QYAMMF3KF2KHKQX8L/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290033091-K1IFTGUWJUUFUGZ7YWH3/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290052721-77L2O5J1V6MF1OIPDWTC/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539288270834-DUD5SGUZCIQKQKJN5FYX/180509_Markus+Lager+pulp+51+Horse+Comic.jpg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290087073-79OMJIKU0FDR1AA3A72X/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290043825-6YKGSGTJQ4ZGXQU58D9G/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539290067218-20VFENJW2KP8X2FHYHKE/image-asset.jpeg</image:loc>
      <image:title>pulp #51: andreas rumpfhuber</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-45</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544995473509-APZQ7Y00F4PJSO5JSYT7/Singapore+Biophilic.png</image:loc>
      <image:title>pulp #45: biophilia</image:title>
      <image:caption>Bringing the garden on up: the first biophilic hospital in Singapore puts mini gardens and operable windows outside every bed (HOK +++)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544994509897-JD90R5XQEGO64OCDWK29/image-asset.jpeg</image:loc>
      <image:title>pulp #45: biophilia</image:title>
      <image:caption>Ever fewer excuses to shut out nature? Vivian Loftness on panel in the auditorium at Renzo Piano’s New York Times tower. A crisp projection, with daylight right behind.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544994357648-UA32G9OHCCUECWJM0VRW/Loftness_headshot2.jpg</image:loc>
      <image:title>pulp #45: biophilia</image:title>
      <image:caption>Vivian Loftness, bringing nature into a building. Portrait by Brian Smile.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-59</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539961272637-68V9QD3XET59Q0JP8KUC/image-asset.jpeg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
      <image:caption>A plausible possibility? Heather Bizon shows us what the future could look like, in a project from Young’s Yale 2016 studio, Icelandic Infrastructures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539961891245-W4JM7RBNHGSGDYXVBR4D/Princeton+Thesis+1+2004+-+St.+Ivo+Variations+-+Michael+Young.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539961891710-06I00JF57QJOSBDFJ727/Princeton+Thesis+2+2004+-+St.+Ivo+Variations+-+Michael+Young.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539923679829-RZ744R7ZHOUNYUVGU2J1/Young+%26+Ayata+-+Busan+Opera+House+-+SMALL+-+2010.png</image:loc>
      <image:title>pulp #59: young ayata</image:title>
      <image:caption>Not afraid of an axis, not afraid of being symmetrical: Young Ayata’s 2011 Proposal for an opera house in Busan. Link.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539961076615-DEUGF9EZ4HGW3F2EA6QU/Young+%26+Ayata+-+Vessel+Collective+Bauhaus+Museum+2015+-+Rathouse++View.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
      <image:caption>Merging the smooth blobs of the 90s and the sharp chunky graphics of the 2000s - Young and Ayata’s Bauhaus Museum, Vessel Collective, 2015. Link.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539961143387-VQKEI3KBU6YKJRGG1NEG/Young+%26+Ayata_Bauhaus+Museum+Dessau_Gallery+Plan.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
      <image:caption>Locally symmetrical: the plan for Young &amp; Ayata’s Dessau scheme.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539955819336-L8B2CGNS1PNXAXK793MW/Young+%26+Ayata+DL+1310+Apartments+Mexico+City+Construction+Photo+2018.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
      <image:caption>Young and Ayata’s work merges the flowing grace of a waterfall with the tectonic stability of a brick. A partnership between Michael Young and Kutan Ayata, they are well loved teachers – Michael at the Cooper Union and Kutan at Penn Design and Pratt – but have had a harder time getting their projects built, beginning with their first project, a 2008 villa in Sharjah. Its cancellation “forced us to become more experimental – we figured out what we wanted to do as an architectural firm, and it gave us that space.” Their bad luck continued into last year when, after tying for first in a competition for a Bauhaus museum in Dessau – “831 entries and we won,” the Bauhaus decided for the other, because it had lower projected maintenance costs. They’re over it, but still – “Itseems a little weird to have an international competition and then say, ‘Well, this one is going to be a little cheaper to maintain, let’s do this one.’” They currently have no employees - their practice works because they teach - but every summer about six interns come in to experiment and test out new ideas, usually with a competition, and their first ground-up building – DL 1310 (above) – is under construction in Mexico City. Anna Fixsen, writing them up in the Architectural Record, noted they make the “aesthetic and intellectual juxtapositions that make you want to look twice.” I sat down and talked to Michael Young, for that second look, in his Brooklyn office on a Friday morning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539962321114-AT2B03M7Z1I9UDXOMRIB/Tempietto_-_Plattegrond_Serlio.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539962328644-GVUM3R01BI0OWPDNO4EV/2+and+a+Half+Tempiettos+-+Young+Ayata+-+2018.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1539955746630-TKZGRRWNF9UFECN0C7UW/pulp_final.jpg</image:loc>
      <image:title>pulp #59: young ayata</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990597566-T0RKW9UB0XGI86Y6HH93/image-asset.png</image:loc>
      <image:title>New Page</image:title>
      <image:caption>David Reeves, Tinkering with the parts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990471837-KLQ6JUVWSTWW23RFNX09/Image+3+Differential+Curve+Growth.png</image:loc>
      <image:title>New Page</image:title>
      <image:caption>Not your grandfather's spatial adjacencies: Field-directed differential curve growth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990548686-X285NZ26LRWTBST55GM0/Image+2+Grain+Simulation.png</image:loc>
      <image:title>New Page</image:title>
      <image:caption>Thinking systematically: Pressure visualized grain simulation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990432595-UJAELJ1QEUJ1RLVBUME4/Image+4+Remeshing.png</image:loc>
      <image:title>New Page</image:title>
      <image:caption>A model that makes its own decisions: Feature-aware remeshing algorithm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990951179-M5Z1CHB4L9QP6AR6YN42/Image+8+Comic.png</image:loc>
      <image:title>New Page</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990383411-36PRRCBEZC1818760R4D/image-asset.png</image:loc>
      <image:title>New Page</image:title>
      <image:caption>Bottom up: Field-directed differential curve growth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990340926-EJAW7VBBP1INVMY2UB0K/Image+6+Slime+Mold.png</image:loc>
      <image:title>New Page</image:title>
      <image:caption>Nature: sometimes a little gnarly? Slime mould inspired multi-agent simulation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544990288827-FXNWEDU7DV2CGQ4H1UOE/Image+7+Surface+Growth.png</image:loc>
      <image:title>New Page</image:title>
      <image:caption>Magic? Stages of differential surface growth</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/new-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-16</lastmod>
  </url>
  <url>
    <loc>https://www.onthewaytopaper.com/pulp-46</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/598d61f94c0dbf45a4bdca29/1544991567073-JH1VJEW9DUG05GTPEH5C/image-asset.png</image:loc>
      <image:title>pulp #46: Algorithms</image:title>
      <image:caption>Magic? Stages of differential surface growth.</image:caption>
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      <image:title>pulp #46: Algorithms</image:title>
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      <image:title>pulp #46: Algorithms</image:title>
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      <image:title>pulp #46: Algorithms</image:title>
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      <image:title>pulp #46: Algorithms</image:title>
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